A sensory approach to making a killer playlist or soundtrack.
By Jane E. Werle
Have you ever had a very specific craving? Pork rinds, peanut butter pretzels, pimento cheese, pizza bagels, parmesan crisps, potato chips — whatever it is, that’s the only thing that will do. Because fulfilling what you are in the mood for can be greatly satisfying.
Setting the right mood for your event, film, or video, is critical to its success. So when creating your playlist or soundtrack, consider whether you are trying to express a mood that you are experiencing, or creating a mood you wish…
By Danielle Earle
It’s that time of the year again. Pride Month — a celebration of unity, self-love, identity, and all things Queer — is coming to a close.
But just because Pride is ending doesn’t mean that we should hit pause on celebrating the LGBTQIA+ community, so I put together a list of ten of my favorite Queer films to watch throughout the year. Whether you are part of the Queer community or want to become a better ally by watching more of the countless stories outside of the heteronormative experience, this list is for you.
1. The Watermelon…
“Artist” is such a vague term I usually don’t like to use it. Maybe that’s also an aversion I have from growing up in the Midwest where artists are often scorned or mocked as high-society. First of all, an artist has nothing to do with class or the amount of formal education someone has. My definition of making meaningful art is perfecting details of a piece of artwork. This means putting in the time to place every detail in the way that is “perfect” to the artist, and the artist alone. …
By Danielle Earle
Finding my voice as a Black woman in the film industry was a challenge for me. Experiencing prejudgement in a sea of white creatives was the last thing I expected, but that was the reality.
I continue to strive for a seat at the table. At times, the sea of white creatives assumes that having a seat at the table for a person of color means serving, volunteering without a sense of self-worth. So, what do we do? What do we do as black actresses, directors, and writers? How do we find acceptance? We form our own…
Tips for working with children on set.
By Elizabeth Chatelain
This is the second article in a 2-part series about working with child actors. If you haven’t read the first part yet, read it here.
So now you have decided which kids you are going to be working with. The next step is rehearsals and production. In the first rehearsals, I am really just trying to make the child comfortable around me, to trust me. I usually invite the parents at least to this first rehearsal. We talk about what the child likes in school, their family, etc. And…
Interview by Piper Werle
Meredith Alloway is a multi-hyphenate badass. Recent milestones in her career include screening her short film Deep Tissue at festivals all over the world including SXSW, directing a Paris Jackson music video, and partnering with Hulu, Sundance Institute, and 20th Century Digital Studios on her last two short films. Her feature film High Priestess is in development with Phantom Four, David S. Goyer’s company.
For years Meredith worked as a film journalist while building her career as a screenwriter, director, actor, and producer, but these days she’s focused on filmmaking. She offers much-needed transparency about breaking…
Tips for casting children in your next film.
By Elizabeth Chatelain
The other day I was speaking with a colleague and they asked me if there were any themes that ran throughout the films I’ve made. It dawned on me that almost every short film I’ve written has children in it. They are of various ages, but I realized I am drawn to stories of childhood and the relationship children have with parents and their siblings.
The first, Karin’s shoes, is set in Texas in the 1950s. It is based on a story that my mom told me about the…
By Jessica W. Chen
According to the Brookings Institute, four out of ten respondents to the U.S. Census reported being of a race or ethnicity other than white in 2020. These statistics prove that it’s time to update America’s media output. Since Hollywood’s inception, whiteness has been considered the “default.” You have probably noticed that TV and film often feature predominantly cis, white, upper-middle-class, straight, and/or non-disabled characters, and contain troubling portrayals of characters who don’t fit into these descriptors. It’s time to move away from default whiteness to better represent our society.
By Geoffrey Kinsey-Christopher
Movies are all about escape, taking viewers from their real lives and familiar spaces to mythical lands, futuristic cities, olden-day slums and ghettos, hotel lobbies — the options are limitless. The choice of a movie scene’s location not only determines the producer’s ability to tell the story effectively but also the degree of enchantment the movie has on viewers. I know I’ll never forget Luke Skywalker’s home in the Tatooine desert.
Location scouting is a technical process that requires an eye for detail, proper prior planning, and a high degree of professional engagement. It is gaining traction…
By Jessica W. Chen
Recently, I rewatched Mulan (2020) in preparation to record a podcast episode for Re-Casting the Movies, a non-profit that challenges people to think outside the box for casting. While I was viewing the film for the third time, I couldn’t help but ponder whether the lack of Asian or Asian American screenwriters played a factor in the movie’s notable cultural inaccuracies and Mulan’s unrelatable, inauthentic character.
As a writer, it’s often comforting to write what you know, without having to worry about inaccuracies or potentially appropriating someone’s culture. And, given the racial, ethnic, and class make-up…
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